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Art of Etching
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PART I I. INTRODUCTORY II. ESSENTIALS III. THE PLATE IV. "GROUNDS AND " GROUNDING " THE PLATE" V. "POINTS, SCRAPERS, BURNISHERS AND GRAVERS" VI. MORDANTS VII. LIST OF MATERIALS AND TOOLS PART II VIII. PLAN OF AN ETCHING ROOM IX. METHODS OF BITING X. PRINTING XI. ADDITIONAL WORK-MISTAKES AND THEIR REMEDY XII. "TRANSFERRING-" NEGATIVE " AND " RELIEF " ETCHING" XIII. "SOFT GROUND, AQUATINT, AND THE PEN METHOD" XIV. DRYPOINT AND MEZZOTINT XV. PRINTING PAPERS XVI. FLATTENING AND MOUNTING XVII. MILDEW AND RESTORING XVIII. THE MEDIUM IN RELATION TO THE ARTIST'S IDEA PART III XIX. A BRIEF SURVEY OF ETCHERS UP TO THE YEAR 1800 XX. DÜRER AND LUCAS VAN LEYDEN XXI. REMBRANDT AND VAN DYCK XXII. GOYA XXIII. BRITISH ETCHERS OF THE NINETEENTH CENTURY XXIV. MERYON AND THE FRENCH REVIVAL XXV. HADEN AND WHISTLER XXVI. THE MODERNS PART IV XXVII. PERSONAL NOTES BY EMINENT ETCHERS ON THEIR METHODS INDEX
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