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The privatized and ghettoized church behind the wall §is confronted by a dual crisis: an internal crisis §of identity and an external crisis of relevance. §Therefore, to shape a dialogical relationship §through public dialogue is an essential task of the §public church, the so-called "go-to-all" church. §§To execute "public dialogue" as the commission to §the "go-to-all" this book concerns a Korean art-§cultural pattern of public dialogue, particularly §madangg k. Madangg k is a compound noun: madang §(open place) + g k (theatre). It contains the §three elements for public dialogue place, a §medium, and communicative principles for public §dialogue. §§As an alternative with the purpose of §overcoming "binary opposition" and shifting from §monologism to "dialogism," this book suggests three §alternative models of public dialogue: (1) §Incarntional Public Dialogue, (2) Critical Public §Dialogue, and (3) Festival Public Dialogue, §Furthermore, in order to construct or transform into §a "dialogical community," this study proposes "Six §Stages of Dialogic Praxis" and "Four Procedures of §Madang Public Dialogue."