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A cultural icon of the "fin de siecle", the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of "Punch" and popular fiction as a neurasthenic victim of social oppression, and she suffered in the pages of New Woman novels such as Sarah Grand's "The Heavenly Twins". This study brings together international critics and cultural historians. It explores the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.