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France, Film, and the Holocaust
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154 b
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France, Film, and the Holocaust traces how representations of the Holocaust in French cinema have shaped the memory of the event in France. Through examining French films of the War, Banaji demonstrates the dual processes of films shaping our past and present contexts shaping our films. The book falls into chronological sections reflecting the major shifts in French Holocaust memory, as charted by and reflected in film. Films are treated in distinct periods: 1945 to 1970, 1971 to 1980, 1980 to 2000, and 2000-the present, each corresponding to critical phases in Holocaust memory in France and to technological and aesthetic shifts in French cinema more generally. In addition, the analysis of these films is supplemented by an examination of related events, such as war crimes trials and the establishment of memorial sites that have grounded Holocaust memory in contemporary French culture. The concluding chapter of the book surveys the field at the start of the twenty first century, tracing possible futures of Holocaust memory in France.
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