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Situating design histories globally means not only to interpret design as a practice that can be found everywhere but also to take a critical stance towards simple dichotomies such as traditional/modern, artisanal/industrial, and formal/informal. In front of the backdrop of the global turn in art and design studies this volume focuses on design and design practices in Africa. It shows that creations of forms are results of an exchange not only between Africa and Europe but also between everyday and established, institutionalized artistic fundamentals or flows. Thus, the contributors trace multi-faceted design histories: from a historical perspective, with attention to the present, and towards possible futures.